This is the apron I wear on a daily basis at home. Here I am looking a bit tough with one of my cast iron frying pans. I took this picture for contrast after taking my make-up off from a particularly girly photo shoot (see below) in March. This apron was an experimental cut with the skirt shaped at the hips. It was one of two aprons I made from one red gingham dress. The bib was the front top of the dress. I took the buttons off and sewed the two front halves together. It is trimmed at the waist with one of my favorite Denyse Shmidt vintage-inspired Flea Market Fancy prints in a cheerful spring green plus a dark, dark shirt collar.

Suzanne Podhaizer, who write about food for Seven Days, got in touch with me today. She's writing about kitchen fashion. We have a phone interview scheduled for tomorrow, but she gave me a couple questions to think about. The words just started flowing so I thought I'd share them here:
How did you get into kitchen fashion?I've always loved working with fabric. I was also very interested in fashion design when I started. Then I got into quilting. I was making small crazy quilts by putting together all the fabrics I loved into one piece, but I ended up thinking they were ugly, too chaotic. I gave myself the aesthetic challenge of combining just two fabrics in a way that was really dynamic, or wonderfully harmonious to the point that the fabrics really hum together: not boring.

I’ve always been stuck on making objects that have a practical purpose (i.e. I’ve never made a quilt with the intention that it be hung on a wall and not used for warmth on a bed). I think the object is appreciated more and on many more levels when it can be a useful tool or add comfort in everyday life.


So I started making potholders out of two fabrics only about 15 years ago as this aesthetic exercise and giving them away mostly. I was working with vintage fabrics, old bark cloth, interesting prints that were obviously from a different time period and combining them in unusual ways. I started selling HotHolders as a business 3 years ago. My customers have been most drawn to the ones with characters on them: firemen, kittens, owls, day of the dead skeletons, and the pin-ups, so that’s what I make mostly now.

I’ve also always loved aprons. My aprons came about as a marriage of my interest in fashion and the kind of quilt-appropriate fabrics I’m drawn to working with plus my desire to make helpful, attractive objects used in everyday life. I’ve met a lot of women who didn’t grow up using aprons, or their mothers didn’t, but I did. We had a drawer of aprons made by my grandmother, who was born in 1898. It’s not that I’m out to promote a women’s-place-is-in-the-kitchen agenda. Food preparation and clean-up and laundry are inevitable facts of life for most people. When I tie on an apron, I feel purposeful and organized, and they protect my nice clothes. If I feel cute wearing my apron, I’m enjoying my tasks more.